NVS > Artists

Julio Hilger

Solo exhibitions (selected)

2022: - “Sin título”,Swab Art Fair, Barcelona

2021: "Fantasia Caqui", Miranda Bosch, Buenos Aires

2019: - "Tripa Cotillón", Fundación Andreani , Bs. As.

2018: "Separados al nacer", Munar, Buenos Aires

2018, el Cultural San Martin: Somali, Pixie Bob, Britanico de pelo largo, Ragdoll, Sphynx, Abisinio, Exotico, Burmes, Shorthair, Americano, de Birmania, Siberiano, Azul ruso, Cornish Rex, Devon Rex, Himalayo, bosque de Noruega, Manx, Bombay, Chartreux, Balines, Savannah, Tonkines...

2017: "Bombon de frutilla", Miranda Bosch galeria, Bs As

2015: "Herbario", BsAs

2014: "Ritual de lo habitual", Fiebre Galería, Bs.As

2013: “Lecciones de guitarra con Yngwie Malmsteen”, Fiebre Galería, Bs.As

2008: “Autorretratos”, Fundación Bank Boston, Bs.As

Group exhibitions (selected)

2023: -“Mi vereda”, Museo Moderno, Bs As (2023)

2022: -"Contratempo",NVS Estudio, Lisboa

2021: -"Together", Miami

2021: -Swab Barcelona Art Fair, Barcelona

2020: -"Antología de verano", Miranda Bosch Gallery, Bs.As.(2021). -Drawing Room, Lisboa

2019: -"Cuerpos “,BSM , Bs.As.

2019: -"Sakura", Miranda Bosch Gallery, Bs. As.

2018: -"Artico antártico", Panal, Bs.As.

2018: - Mite, Bs.As. Shoping

2017: -“Prácticas relacionales”Hotel Dora Córdoba

2017: - Arte BA Focus

2017: -“La piedra fundamental” ,NN Galeria, La Plata

2016: -“La cosa soy yo ” ,Universidad Torcua-to Di Tella, Bs.As.

2016: -“Ahí va mi sangre” ,Universidad Torcua-to Di Tella, Bs.As.

2016: -La Verdi, Bs.As.

2015: "Ritual de lo habitual", Granate galeria, Bs.As

2015: - Museo de Arte Moderno y Contemporáneo del Sur, Bs.As.

2013: -Cosmiko Galería, La Plata

2012: -Auditorium de Mar del Plata

2011: -Mite , Bs.As, shoping

2010: -LXIV Salón Nacional de Rosario

2009: -“Apettite debe morir”, Galería Apettite, Bs.As.

Julio Hilger > Info & Featured work

The works of Julio Hilger, anchored in an aesthetic of the monstrous, show two very characteristic and complementary areas of interest: on the one hand, a formal inclination for the use of a sculptural language that uses mostly clay in different states, but also ceramics. , wax, paraffin, plaster, paper, and cardboard; and, on the other, a sustained reflection on the capacity of art to give shape and semanticize evanescent figures, minor characters and discarded objects. Thus, his work continues to unfold a universe of amorphous creatures on a small and large scale in which the possibilities of these poor materials are extreme. In this way, it configures a kind of eschatology in a trance, a chaotic, organic and provisional microworld where the objet trouvé, trash and kitsch randomly coexist.